CD 42/43
Music from Stams Monastery XVII

Franz Michael Hueber, Angels’ Concert (detail). Fresco (1729) in the stairwell leading to the prelate’s quarters and Bernardisaal (hall) in Stams Monastery
The Tyrolean Church Music Concerts were initiated in 1997. Their primary aim is to draw attention to the particular importance of sacred music in the cultural history of the Tyrol by providing exemplary concert performances. In fact, the Tyrol is a land of music par excellence. Besides the great names and traditions that are still well known internationally today, there is a series of composers whose works exhibit considerable quality and who were hence greatly esteemed in their day. The documentary sources for the history of music in the Tyrol are overabundant. This important legacy is preserved in monasteries,parisharchivesand above all the music collection of the Tiroler Landesmuseum Ferdinandeum. Every year, works of church music either by Tyrolean composers or handed down in the Tyrol are to be presented at these concerts in different venues and made available in a variety of ways. On the one hand this involves adapting the historical source materials, music usually preserved in manuscript form, for modern research and performance practice. On the other, and above all, there is the preparation of a lasting record of all concerts on CDs. These, in turn, constitute the building blocks for a gradually developing history of music of the Tyrol in sound. An important objective is to have the concerts in places where the music on the program was written and/or preserved. This draws attention to the importance of the area in question for Tyrolean musical culture and encourages identifi cation with the specifi c local musical tradition. Launching our Tyrolean Church Music project was sacred music by Johann Zach (1699-1773).
CD 1, Track 11, 1:51
Requiem in g-minor
Agnus Dei
Johann Zach
(1699-1773)